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Quails in the Grass

Kakemono, unique work, with box, 205 x 41 cm
Product number: 6173

Sold – no longer available

This piece was handmade by Hiroune Araki and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 205 cm
  • Width 41 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Paper
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Hiroune Araki
Sold

No longer available

Description

Two quails move through tall, autumnal-looking grass, their speckled plumage rendered with the finest brush touches, while one of the two has opened its beak, as if calling out to its companion. Delicate foliage along the upper edge of the picture frames the scene and heightens the impression of a fleeting moment observed from nature.

Quails have been regarded as a popular autumn motif in Japanese painting since the Edo period, associated with modesty and rural idyll. The dense patterning of the plumage, in places almost pointillist in effect, reveals a precise power of observation and a calm, patient brushwork.

The work bears the signature and seal of Hiroune Araki (1831-1915) and is kept in an accompanying wooden box. With its warm, earthy coloring, this kakemono, titled Quails in the Grass, is an atmospheric companion through the autumn months and a welcome addition to any collection of traditional Japanese animal painting. The careful preservation over more than a century is evident in the overall good condition of the painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.