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Raven on a Bare Branch

Kakemono, unique work, 187 x 86 cm
Product number: 6364

Sold – no longer available

This piece was handmade by Watanabe Ando and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 187 cm
  • Width 86 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Watanabe Ando
Sold

No longer available

Description

With powerful presence, the black raven sits on a diagonally running, almost defoliated branch. The dark silhouette of the bird stands out markedly against the light, largely empty background, drawing the eye immediately. With a few determined brushstrokes, body, beak, and eye are defined, while the branches are laid out in a mixture of controlled line and free movement. Delicate traces of faded leaves and gray washes suggest the surroundings without fully rendering them.

The effect of the image arises from the tension between density and openness. The raven appears watchful, almost lurking, as if it were part of a quiet, indeterminate transitional time. The reduced color palette reinforces the impression of stillness and solitude, while the expressive brushwork lends the motif an inner dynamism. Nature appears here not idyllic, but serious and concentrated.

The work dates from the Meiji period and is executed on paper, with jikusaki made of wood. With an unusual width of 86 cm, the kakemono possesses an impressive, almost panoramic presence. This expressive example of free, painterly bird art bears the seal of Watanabe Ando.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.