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Rising Koi

Kakemono, unique work, 200 x 50 cm
Product number: 6328

Sold – no longer available

This piece was handmade by Kano Masuyoshi Dōichi and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 50 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Kano Masuyoshi Dōichi
Sold

No longer available

Description

This fascinating kakemono from the Meiji period depicts a koi rising powerfully against the current of the water – an image full of symbolism and grace. Captured in traditional ink painting on fine silk, the scene conveys not only movement but also the deep meaning of the koi as a symbol of perseverance, success, and transformation. The dynamic lines of the water and the tense posture of the fish inevitably draw the eye into the center of the composition.

The work bears the seal of Kano Masuyoshi Doichi and stands in the long tradition of the renowned Kano school, known for its masterful depictions of nature. The jikusaki made of wood complete the image in an elegant manner and underscore the high quality of this hand-painted one-of-a-kind piece. The finest nuances in ink and application of color make the scene appear vivid and testify to great artistic sensitivity.

This kakemono is excellently suited for collectors who appreciate the deep symbolism of Japanese art, or as an inspiring accent in rooms that seek to combine strength, elegance, and Far Eastern aesthetics. A piece that unites strength and beauty in a single expression.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.