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Samurai on White Horse in Reed Field

Kakemono, unique work, 194 x 62 cm
Product number: 4298

Sold – no longer available

This piece was handmade by Tōjō Shihō and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 194 cm
  • Width 62 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Tōjō Shihō
Sold

No longer available

Description

In full armor and with mane flying, a samurai gallops on his white horse across an autumnal grass field, while in the distance a formation of migrating birds crosses the sky – a dynamic scene full of movement and tension.

The elaborately worked armor in tones of green, orange, and gold, as well as the flowing feather ornament of the helmet, attest to great attention to detail, while the horse and landscape are rendered in motion with a loose brush style. Created in the Meiji period on silk, the painting bears a signature and red seal; the jikusaki ends are made of wood.

Depictions of samurai on horseback are among the most striking motifs of Japan's historical genre painting and directly convey the spirit of vigor and martial virtue. This kakemono is a vivid testament to this pictorial tradition and an appealing eye-catcher for any collector.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.