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Schools in Clear Water

Kakemono, unique work, 178 x 38 cm
Product number: 6439

Sold – no longer available

This piece was handmade by Kano Norinobu and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 178 cm
  • Width 38 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Sold

No longer available

Description

In this delicately worked composition, several small fish glide through an almost transparent-looking body of water in calm, sweeping paths. The line work is deliberately reduced, so that the viewer's eye intuitively follows the movements of the creatures. The light shading and subtle suggestions of water plants create an atmosphere of suspension – a moment of quiet observation of nature that entirely dispenses with dramatic effects and precisely for that reason unfolds its poetic beauty.

On closer inspection, the artist's distinctive hand becomes apparent: each fish is modeled with a few confident strokes, so that its form remains clearly recognizable without losing lightness. The largely untreated background lets the scene appear open and expansive, as if the river extended beyond the picture. The soft gray and blue tones contribute to a feeling of purity and calmness that is typical of late works of the Edo period and early works of the Meiji period.

Painted on paper and fitted with jikusaki of wood, the kakemono bears the seal of Kano Norinobu. The execution suggests an origin in the late Edo or early Meiji period and shows the contemplative elegance of the Kano tradition, which lends a quiet dignity even to the smallest motifs from nature.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.