Skip to main content Skip to search Skip to main navigation

Sitting Daruma Under Large Character

Kakemono, unique work, 192 x 50 cm
Product number: 3455

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 192 cm
  • Width 50 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Heisei (1989–2019)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

With a few powerful brushstrokes, this depicts Bodhidharma, the monk known in Japan as Daruma, who is regarded as the first patriarch of Zen Buddhism, or Chan Buddhism. According to tradition, he brought the teaching from India to China toward the end of the 5th century, where it developed into one of the most influential spiritual movements in East Asia.

Above the seated figure, with its striking character rendered in sweeping calligraphy, unfolds the reduction to the essential that is typical of Zen paintings: no superfluous detail distracts from the concentrated gaze and meditative posture of the figure depicted. This pictorial language, known as Zenga, aims to convey less a portrait than a spiritual insight into the essence of being.

The kakemono was hand-painted on paper in the Heisei period and fitted with wooden jikusaki. Signature and red seal of the painter attest to its execution as an independent unique work. For collectors of Zen art and Buddhist iconography, this hanging scroll is an expressive addition with a palpable meditative calm.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.