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Snow-Covered Monastery by a Quiet Lake

Kakemono, unique work, 157 x 37 cm
Product number: 6372

Sold – no longer available

This piece was handmade by Nakamura Shunyō and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 157 cm
  • Width 37 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Nakamura Shunyō
Sold

No longer available

Description

This hand-painted kakemono on silk shows a monastery by a lake that has come to rest deep in winter. The structure of the multi-story building appears both powerful and light, as it blends harmoniously into the gently snow-covered shoreline landscape. The signature and seal are attributed to Nakamura Shunyo, whose finely set lines and controlled areas of color create a particularly balanced composition here. The scenery conveys a sense of seclusion, further supported by the soft gradations between sky, water, and snow.

The snow-covered pines in the foreground give the work a clear sense of spatial depth, while the diffuse suggestion of distant groups of trees in the background further heightens the wintry stillness. A bird above the monastery roof and the small waterfowl at the lake shore set lively accents and underscore the natural calm of this landscape. The painting technique shows a subtle mastery of light and tonal values, characteristic of traditional Japanese painting of the Showa period.

The jikusaki made of bone completes the hanging scroll with a fine, traditionally styled finish. This unique work is well suited as an impressive collector's item and appeals to lovers of Japanese art who appreciate a calm, atmospheric depiction of high craftsmanship quality.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.