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Songbird on Blossoming Cherry Branch

Kakemono, unique work, 190 x 53 cm
Product number: 6435

Sold – no longer available

This piece was handmade by Satake Eikai and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 190 cm
  • Width 53 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Sold

No longer available

Description

A quiet spring moment, captured on delicate silk ground: from the lower edge of the image, a gnarled, moss-covered cherry tree rises, its branching limbs extending far into the pictorial space. On one of the sturdy branches a small songbird has settled, its gaze attentively fixed on a small bee making its way among the open blossoms. The white cherry blossoms, delicately placed and accompanied by fine green leaves, lend the composition a light, breathing quality.

The painting bears the signature and seal of Satake Eikai and was created in the Meiji period. Executed in traditional technique on silk, the work shows the fine brushwork and sensitive coloring that distinguish bird-and-flower depictions of this era.

As a hand-painted unique work from Japan, this kakemono brings a piece of Japanese art history into the living space. The jikusaki made of wood and the subtly patterned fabric border underscore the antique character and the craftsmanship of the traditional mounting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.