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Songbird on Blossoming Plum Tree

Kakemono, unique work, 184 x 30 cm
Product number: 6441

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 184 cm
  • Width 30 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

At the lower edge of the picture rises a gnarled, sweeping plum tree, its dark, animated silhouette forming a striking contrast to the light silk ground. A small songbird has alighted on one of the sturdy branches, turning its head slightly to the side as if pausing for a moment. Fine, nearly bare twigs stretch upward and sideways, dotted with delicate white blossoms and closed buds – a quiet hint of approaching spring.

The composition draws its life from the deliberate use of empty space: the wide, airy upper portion of the picture allows the fine twigs to breathe freely and lends the work that contemplative calm characteristic of traditional Japanese painting. The brushwork shifts skillfully between bold, ink-laden accents on the trunk and the finest lines in the branches.

The painting dates from the Meiji period. Executed in traditional technique on silk, it is presented in a subtly patterned fabric mounting with jikusaki made of wood. As a hand-painted unique work from Japan, this kakemono brings an authentic piece of East Asian art history into the living space.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.