Skip to main content Skip to search Skip to main navigation

Sparrows and Plum Blossoms

Kakemono, unique work, with box, 203 x 56 cm
Product number: 5912

Sold – no longer available

This piece was handmade by Haruka Toda and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 203 cm
  • Width 56 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Haruka Toda
Sold

No longer available

Description

Executed on fine silk with delicate brushwork and subtle washes, this kakemono depicts two sparrows perched on a weathered tree stump, while a flowering plum branch extends into the composition from the right. The technique of hand painting is especially evident in the fine feather drawing of the birds and the almost sculptural rendering of the stump's cracked bark.

The combination of sparrows and plum blossoms is a classic motif of Japanese bird-and-flower painting (Kachô-ga) and represents sociability and the joy of early spring. The two birds sitting close together convey a warm, domestic atmosphere in the midst of the still barren season.

The painting bears the signature and seal of Haruka Toda (1903-1987) and is delivered including a specially signed wooden box, underscoring the work's provenance and esteem. The roller rod is made of bone, the honshi of silk, and the work was created in the Shôwa period. A fine collector's piece embodying the quiet poetry of traditional Japanese hanging scroll painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.