Skip to main content Skip to search Skip to main navigation

Spring Village in the Mist

Kakemono, unique work, 195 x 44 cm
Product number: 6321

Sold – no longer available

This piece was handmade by Ozeki Keishū and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 195 cm
  • Width 44 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Ozeki Keishū
Sold

No longer available

Description

In soft light and delicate colors, this hand-painted kakemono opens up to the viewer a picturesque spring village, extending amid blossoming cherry trees and mysterious wisps of mist. The masterful composition lets the eye wander through an intricate landscape, past small houses, delicate trees, and figures capturing everyday village life. The delicate application of color on fine silk lends the scene an atmospheric depth that hovers between dream and reality.

The work bears the seal of Ozeki Keishu and dates from the Showa period. The high-quality jikusaki made of bone complement the traditional appearance and underscore the special value of this unique work. It is an impressive example of Japan's subtle landscape painting, in which nature and man come together in harmony.

This kakemono is ideal for lovers of Japanese art who are looking for a work that radiates both tranquility and vibrancy. It sets a poetic accent in any room and invites one to discover new details again and again.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.