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Three Bodhidharma Sketches on Silk

Kakemono, unique work, with box, 182 x 45 cm
Product number: 5376

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 182 cm
  • Width 45 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Sold

No longer available

Description

In terse, powerful ink lines, the unmistakable figure of Bodhidharma appears, surrounded by further sketchily indicated heads and figures – entirely in the spirit of the reduced, spontaneous expressive power of Zen painting (Zenga). A calligraphic inscription above the depiction lends the work additional depth and invites contemplation, while the undyed silk gives the motif an almost floating lightness.

Painted on silk, the artist relies entirely on the effect of the brushstroke: a few confident lines suffice to capture the expression and character of the depicted figures. The work dates from the Shōwa period and bears the immediate, almost calligraphic visual language typical of Zen painting, in which every stroke seems deliberately placed and nothing is left to chance.

Due to age, slight stains have formed in the upper area of the mounting and the painting, lending the piece its authentic patina without diminishing the impact of the depiction – a visible testament to its long history. The kakemono is delivered in a matching wooden box (tomobako) and mounted with wooden rollers – an expressive piece for collectors of Zen Buddhist art.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.