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Two Koi in Water

Kakemono, unique work, 200 x 57 cm
Product number: 3791

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 57 cm
  • Item Type Kakemono
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Two robust koi carp glide through the water with their mouths slightly open, their scaly texture carefully rendered with countless fine brushstrokes, so that the fish appear almost tangibly three-dimensional. Above them, a flowering branch with numerous white, five-petaled blossoms and slender reed leaves leans into the picture, its delicate lightness forming an appealing contrast to the powerful physicality of the fish.

In Japanese pictorial symbolism, the koi has always stood for perseverance, courage, and the ability to prevail against resistance – a meaning derived from the legend that a koi climbing a waterfall can transform into a dragon. The calm, almost floating posture of the two fish in this painting conveys serenity rather than a fighting spirit.

Signature and red seal are placed in the lower right, the painting is executed on paper and set within a warm, olive-green and gold silk border. The work was created in the Shôwa period and successfully combines depth of meaning with decorative effect through its blend of symbolically charged motif and painterly finesse.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.