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Wild Goose in Flight over the Reeds

Kakemono, unique work, 202 x 52 cm
Product number: 6030

Sold – no longer available

This piece was handmade by Goto Koho and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 202 cm
  • Width 52 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Goto Koho
Sold

No longer available

Description

With few, confidently placed brushstrokes, this kakemono captures the moment a wild goose passes in flight over reed grass. The feathers are rendered in graduated shades of gray, while the head and beak are enlivened with warm ochre and beige tones, so that the bird appears lively despite the reduced color palette. At the bottom edge of the image, a few stalks and reddish blossom buds suggest a shoreline landscape, lending the motif depth and context.

The painting is executed on paper and bears the signature and seal of the artist Goto Koho. The jikusaki made of bone underscores the careful workmanship of this hanging scroll created in the Shôwa period. The clear pictorial composition, with much open space around the central motif, follows the tradition of Japanese ink painting, in which emptiness is as significant as what is depicted.

The wild goose has long been regarded in Japanese pictorial language as a symbol of vastness, the migratory impulse, and the change of seasons. Anyone who takes pleasure in classical bird painting and in calm, unassuming composition will find in this kakemono an evocative collector's piece.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.