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Wild Goose in the Reeds under a Pale Moon

Kakemono, unique work, 200 x 47 cm
Product number: 3851

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 47 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Paper
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

A wild goose with lowered neck and watchful gaze stands among slender reed stalks, while in the background a pale moon shimmers through thin mist – a classic motif of autumnal bird-and-flower painting that conveys both stillness and vigilance, evoking a quiet, autumnal mood.

In East Asian symbolism, wild geese are regarded as messengers of fidelity and family cohesion, as they migrate in fixed formations and remain bonded to their partner for life. The fine, almost naturalistically precise plumage painting stands in charming contrast to the loosely sketched reeds and the delicately washed moon, lending the composition additional vitality.

The painting was created in the Meiji period on paper and has axis ends made of bone. As a hand-painted unique work, this kakemono combines naturalistic precision with the quiet poetry of classical Japanese ink painting and is an eye-catcher for collectors of bird depictions and autumnal motifs. Autumnal bird motifs like this one were traditionally displayed in the tokonoma alcove during the colder season.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.