Skip to main content Skip to search Skip to main navigation

Woman with Rice Straw Hat

Kakemono, unique work, 197 x 58 cm
Product number: 5908

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 197 cm
  • Width 58 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Beneath a wide, green woven rice straw hat with striking red ribbons, a young woman gazes thoughtfully to the side. Her dark cloak bears large white characters that suggest a festive or artistic disguise, while a red neckband and the elegant drapery of the robe lend the depiction a theatrical, almost narrative quality.

The hand-painting was created on fine silk and dates from the Shôwa period; the clear contours and the bold, flat coloring recall the decorative pictorial language of the bijin-ga tradition, which frequently depicts women in special attire or roles, thus departing from the familiar type of woman in a simple kimono.

With its unusual, narratively charged pictorial composition, this kakemono stands out from classical portrait depictions and is well suited as a striking eye-catcher in the tokonoma or in a Japanese-inspired living space. For collectors of Japanese depictions of women with a distinctive motif, this hand-painted unique work is an appealing find.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.