Skip to main content Skip to search Skip to main navigation

Zen Calligraphy "The Snail"

Kakemono, unique work, 166 x 26 cm
Product number: 6217

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 166 cm
  • Width 26 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Washi (Rice Paper)
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

This remarkable kakemono from the Showa period combines traditional Japanese calligraphy with an artful depiction of a snail in a minimalist style. The understated elegance of the calligraphy, paired with the symbolic depiction of the snail, conveys a deep calm and serenity that is typical of Japanese Zen aesthetics.

The carefully executed calligraphy on fine paper shows the skill of the artist, who knows how to make a powerful yet gentle statement with just a few brushstrokes. The circle in the composition could be interpreted as an enso, a symbol of enlightenment and the universe, while the snail stands for patience and progress at one's own pace.

The jikusaki made of bone lends this work an additional note of refinement and underscores its authenticity. This kakemono is a wonderful piece for collectors of calligraphy and lovers of Japanese art, and can serve both as a decorative element and as inspiration for meditative practice.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.