Nakamura Shundei
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Nakamura Shundei (中村春泥): Kachō-ga Painter from Yamaguchi Prefecture
Nakamura Shundei (中村春泥, 1904–1966) was a Japanese Nihonga painter of the Shōwa period. He was born in Hōfu, a town on the Seto Inland Sea in the south of Yamaguchi Prefecture; his given name was Nobuo (信夫). His work is devoted almost exclusively to Kachō-ga, bird-and-flower painting.
The Artist Name: Shundei and the Seasonal Word of Spring
The characters 春泥 are read Shundei; alongside this, the form Shunden is also in use, referring to the same person. Literally the name means "spring mud" and denotes the softened paths of the thaw season – in Japanese poetry a fixed seasonal word for early spring. For a painter whose motifs are devoted to the transition from winter to spring, the choice is programmatic.
Training under Arai Kanpō and the Years at the Inten
Shundei was a pupil of Arai Kanpō and moved within the circle of the Kawabata painting school in Tōkyō, which produced an entire generation of Nihonga painters. From 1941 he exhibited at the Inten, the annual exhibition of the Nihon Bijutsuin, and was listed there as In'yū – a fixed grade of affiliation below full membership, denoting a lasting bond to the institution. Since its founding, the Nihon Bijutsuin had stood for a conception of Nihonga that deliberately asserted itself alongside the state-sponsored exhibition system.
Uguisu and Plum: the First Spring Motif of the Year
The Uguisu, the Japanese bush warbler, calls when the plum blossoms – still before the cherry blossoms, often while it still freezes at night. Together the two form the earliest spring motif of the Japanese pictorial calendar and belong to the weeks around the turn of the year according to the old calendar. Pictorially appealing is the difference in scale: the bird sits small and inconspicuous within a branch that fills half the picture field, and is often noticed only at second glance. Such a hanging scroll hangs for a few weeks and then returns to its box – the reason why hanging scrolls of this genre have frequently survived in good condition.