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Artists

Yamada Shūhei

Yamada Shūhei (山田秋坪) was a Nanga painter in Ōsaka and a student of Himejima Chikugai. Together with Mizuta Chikuho, he was considered one of the two pillars of this school.
Kakemono by Yamada Shūhei: starling on a pomegranate branch, in color on silk.
Pomegranate branch with star – kakemono by Yamada Shūhei (山田秋坪), Ōsaka Nanga (detail)
In a nutshell
Yamada Shūhei (山田秋坪) was a Japanese painter of the Nanga school, Japanese literati painting, active in Ōsaka. He was a student of Himejima Chikugai and is named, together with Mizuta Chikuho, as one of the two pillars of Chikugai's school. His focus was on bird-and-flower painting. Among his surviving works is a depiction of pomegranate blossoms and a white parrot from 1920, held in the Sen-oku Hakukokan. The reading of the artist name 秋坪 is Shūhei.

Yamada Shūhei (山田秋坪): Literati Painter in Ōsaka During the Meiji and Taishō Eras

Yamada Shūhei (山田秋坪) was a Japanese painter of the Nanga school, Japanese literati painting, and was active in Ōsaka. Alongside Kyōto and Nagoya, Ōsaka was one of the centers where Nanga persisted beyond the Meiji era, even as state-sponsored art policy had long favored other directions. The reading of the artist name 秋坪 is Shūhei; differing transliterations found in the art trade refer to the same person.

One of the Two Pillars of the Himejima Chikugai School

Shūhei was a student of Himejima Chikugai, one of the leading Nanga painters of Ōsaka. In the tradition surrounding this school, he is named together with Mizuta Chikuho as one of the two supporting pillars – a formulation that, in Japanese art literature, denotes the innermost circle around a teacher and at the same time suggests that the school was passed on essentially through these two.

Bird-and-Flower Painting as a Focus

Shūhei's field of work was Kachō-ga, bird-and-flower painting. Preserved and documented is a depiction of pomegranate blossom and a white parrot from the year 1920, which is held at the Sen-oku Hakukokan in Kyōto. The museum grew out of the collection of the Sumitomo family and holds one of the most significant collections of Chinese bronzes in Japan; that a work by Shūhei found a place there says something about the standing accorded to him during his lifetime.

Pomegranate and Starling: A Picture of Late Summer

The pomegranate bursts open in late summer, exposing its red seeds — a motif that in East Asia stands for abundance and progeny, and which at the same time gives the picture its accent of color. A bird among the branches brings movement into the scene. Nanga painting treats such a scene differently than the Shijō school: it is not naturalistic precision that carries the picture, but the brushstroke itself, which sets branch and fruit down in a single motion. For the seasonal change in the tokonoma, such a kakemono belongs to the weeks between midsummer and the beginning of autumn.