Skip to main content Skip to search Skip to main navigation

33 Tempel

Kakemono, unique work, 200 x 60 cm
Product number: 4753

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 200 cm
  • Width 60 cm
  • Item Type Kakemono
  • Jikusaki Metal
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

This unusual hanging scroll documents a Buddhist pilgrimage to 33 Temples and gathers on silk the red temple seals and calligraphic temple names that pilgrims collected from station to station along their way – a custom that remains alive in Japan to this day and was regarded as testimony to personal piety.

Dozens of temple names in powerful handwriting, each accompanied by square and round seal impressions in luminous vermilion, condense into an impressive pattern of script and color. At the center of the sheet, a larger invocation of the Bodhisattva Kannon recalls the spiritual significance of the entire route, while the small-scale stamps make the pilgrim's long, arduous journey tangible.

The sheet is mounted on fine blue-silver brocade silk with a peony pattern, the upper border kept in warm yellow, the jikusaki is made of metal. This rare testimony to Japanese pilgrimage culture was created in the Shôwa period. For collectors with an interest in religious folk art and calligraphy, this hanging scroll is an extraordinary, deeply personal document of lived piety.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.