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Encounter by the River

Kakemono, unique work, with box, 136 x 97 cm
Product number: 6430
  • Height 136 cm
  • Width 97 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:

€1,290.00

Available, delivery time: 1-3 Days

Description

In a wide-ranging landscape, a quiet narrative unfolds beyond time. Two riders – one in vivid red, the other in cool blue – move through a panorama defined by mist and soft transitions of color. The river, flowing calmly through the picture, reflects the hanging willow branches, while behind it mountains rise as if carved from haze. The moon stands high above the scene, lending the entire work an atmosphere of restraint and poetic distance.

The composition unites figure painting and landscape with great care: the horses are vividly modeled, the robes finely worked out, and yet the eye remains free to drift into the depth of the mountains and layers of clouds. This blend of narrative moment and expansive landscape recalls classical models of the Edo period, in which natural space and human action are depicted in mutual harmony.

Executed on silk and fitted with jikusaki of bone, the work bears the seal of Kosukoku. The accompanying notes indicate a large-format depiction from the middle to late Edo period, created in the tradition of the painter Sawaki Takayuki, to whom the artist was indebted. Thus this hanging scroll, known as Encounter by the River, combines art-historical significance with an impressive, richly painterly depiction of a quiet moment in a vast landscape.

With an impressive width of about 97 cm, it belongs to the unusually large-format hanging scrolls of this kind. The hanging scroll is kept in a signed wooden box, which further underscores its cultural value and the care of its transmission.

Frequently asked

Yes, this work is delivered with a wooden box.
Yes, this piece carries the signature or seal of Kōsūkoku
Based on the previous owners' information and the condition of the object we place it broadly in the Meiji (1868–1912) period, but cannot give a precise date.
Yes, this piece is a genuine handcrafted original that exists only once.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.

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