Autumn Mountain Landscape in Fog

Name: Autumn Mountain Landscape in Fog
SKU: 6304
Price: 250.00 EUR
Availability: OutOfStock

Kakemono, unique work, 190 x 47 cm

Product number: 6304

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

Height 190 cm
Width 47 cm
Item Type Kakemono
Jikusaki Bone
Material Honshi Silk
Period of Creation Meiji (1868–1912)
Technique Hand-Painted
Unique Work Yes

Sold

No longer available

Description

In this masterful Japanese landscape painting from the Meiji era, mountains, trees, and misty veils merge into an image of poetic stillness and natural elegance. Gently shimmering wisps of fog envelop distant mountain peaks, lending the scene a mysterious depth. Luminous, autumn-colored leaves provide colorful accents, capturing the transience and beauty of this particular season in an impressive manner.

The artfully composed painting was carefully executed on high-quality silk, in which the fine brushwork and subdued coloring create an exceptional balance between clarity and subtle suggestion. The stylish jikusaki made of bone complement the artwork harmoniously and emphasize its authentic, historical quality.

This hand-painted kakemono is ideal for rooms meant to exude a calm and contemplative atmosphere. It is a special piece for art lovers who appreciate the charm of traditional Japanese landscape painting and seek a connection to its deeply rooted aesthetic. A timeless companion that offers the viewer moments of stillness and inspiration.

Frequently asked

I am interested in this work. Do you have more of them in stock?

No – as a one-of-a-kind piece it exists in a single example only.

Can you source a similar work?

We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.

Why does the date of creation sometimes not match the artist's dates

Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.

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