Skip to main content Skip to search Skip to main navigation

Beauty Under Wisteria

Kakemono, unique work, 180 x 60 cm
Product number: 4707

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 180 cm
  • Width 60 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

A young woman in traditional attire gazes elegantly to the side, dressed in an orange-red kimono with a delicate floral pattern, over which a deep black cloak with a striking patterned inner lining is draped. On her head she wears a distinctive, lacquer-black headdress with a red band, while to her left a branch of blooming wisteria in soft violet hangs down, lending the composition a gentle, romantic touch.

This bijin-ga, as depictions of beautiful women in Japanese painting are called, was created in the Shôwa period (1926–1989) and was hand-painted on silk. Such portraits of idealized beauty were highly popular in early 20th-century Japan and combined traditional depictions of clothing with a refined, often slightly melancholic expressiveness.

The roller rods are fitted with ends made of plastic. With its calm elegance and carefully rendered clothing, this kakemono is a particularly decorative unique work for lovers of classical Japanese figure painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.