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Calligraphy "Banzai"

Kakemono, unique work, 200 x 37 cm
Product number: 6398

Sold – no longer available

This piece was handmade by Taniuchi Seigan and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 37 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Sold

No longer available

Description

The two large, energy-charged characters "Banzai" (萬歳) dominate the bright paper in a single, dynamic sweep. The powerful brushstroke shows clear traces of movement and ink, while the generous negative space lets the characters breathe and brings their message to particularly striking effect. The calligraphy radiates an immediate, ceremonial presence and embodies the traditional exclamation of congratulation and longevity.

The meaning of the calligraphy is "ten thousand years" or "ten-thousandfold life". In Japanese tradition, "Banzai" is used as a joyful, auspicious exclamation wishing long life, happiness, and prosperity. The expression has ancient Chinese roots and is still used today at ceremonial occasions, New Year's greetings, or as an expression of deep appreciation. In Zen calligraphy, it takes on an additional spiritual dimension as a wish for an endless, fulfilled existence.

The work bears the signature and seal of Taniuchi Seigan. Written on paper, the calligraphy unfolds an intense blackness of ink with lively, spontaneous accents that capture the power of the moment. The Jikusaki made of wood frame the piece warmly and traditionally. This hand-written unique work brings the ceremonial and auspicious energy of Japanese calligraphy into the room and is especially suited for lovers of art who appreciate strong, expressive Zen works with a positive, life-affirming message.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.