Skip to main content Skip to search Skip to main navigation

Calligraphy: Snow, Moon, Flowers

Kakemono, unique work, 112 x 61 cm
Product number: 4478

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 112 cm
  • Width 61 cm
  • Item Type Kakemono
  • Jikusaki Ceramics
  • Material Honshi Paper
  • Period of Creation Taishô (1912–1926)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Two bold characters, sweeping in Sōsho style, fill nearly the entire pictorial field of this calligraphy, whose meaning can be translated as 'Snow, Moon, Flowers.' The motif 'Setsugekka' refers to three phenomena regarded as the epitome of seasonal beauty, which have inspired poets, painters, and calligraphers alike for centuries. A red seal in the upper right sets a quiet counterpoint to the powerful ink strokes.

The hanging scroll was written by hand on paper during the Taishô period (1912–1926). It is precisely the concise, almost reduced choice of words combined with expansive brushwork that reveals the mastery with which meaning and form merge here, a characteristic that distinguishes good calligraphy from mere writing.

The scroll rods are fitted with ends made of ceramics. For lovers of Japanese calligraphy, this handwritten unique work is an expressive piece that vividly conveys the close connection between nature, poetry, and calligraphy in Japanese culture.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.