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Calligraphy Wa-Kei-Sei-Jaku

Kakemono, unique work, 190 x 50 cm
Product number: 3731

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 190 cm
  • Width 50 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

On a dark, speckled, earth-toned silk ground, a second, independent approach to the four virtues Wa, Kei, Sei, and Jaku – harmony, respect, purity, and tranquility – unfolds here. Unlike calmer renderings of this maxim, the script here is strikingly broad and powerful in execution, the strokes appear almost sculptural and leave the ink lying thick in places.

A small red seal at the upper right, along with a signature and two further seals at the lower left, document the authorship of an evidently skilled calligrapher. The four characters stand in a single, clearly structured column on cream-colored paper, which is bordered by a plain, light-colored frame strip before the dark, iridescent border further draws the eye to the script.

This maxim, which originally stems from tea culture, came over time to be valued as a general life maxim far beyond the tea ceremony as well. The work on paper was created in the Shôwa period and impressively shows how differently one and the same text can be interpreted by different calligraphers – an appealing contrast for collectors who wish to assemble several versions of the same motif.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.