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Calligraphy in Flowing Script

Kakemono, unique work, 200 x 51 cm
Product number: 5241

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 51 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Powerful, almost dance-like brushstrokes move across the light paper of this kakemono: thick, rich strokes alternate with thinly trailing flourishes, as is typical for the semi-cursive script of Japanese calligraphy. At the left edge, a small red seal provides the only touch of color in a work otherwise entirely reduced to ink and paper.

In terms of content, the calligraphy quotes a passage from the poem "Early Winter" by the Chinese poet Lu You of the Song dynasty – a reference long treasured in Japan, which calligraphers have gladly chosen as a model for their own art of writing. Thus the hanging scroll combines classical Chinese poetry with Japanese brushwork into a quiet, meditative overall image.

Fine paper serves as the honshi, the jikusaki is made of plastic, and the piece was created in the Shôwa period. For lovers of East Asian calligraphy and literature, this unique work is an appealing addition to any collection, equally suited as a standalone wall piece and as a conversation starter about the quoted verses.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.