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Cockatoo in Blooming Wisteria

Kakemono, unique work, 195 x 80 cm
Product number: 6283

Sold – no longer available

This piece was handmade by Chō Ikkyū and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 195 cm
  • Width 80 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Chō Ikkyū
Sold

No longer available

Description

This fine kakemono from the Showa period, signed with the artist's seal of Cho Ikkyu, shows a fascinatingly detailed motif: an elegant, white cockatoo sits proudly and attentively on a branch, surrounded by lushly blooming wisteria, whose delicate flowers and leaves are rendered in soft, harmonious tones.

In Japanese symbolism, wisteria (fuji) stands for longevity, grace, and eternal beauty, while the cockatoo embodies exoticism and intelligence. The depiction masterfully combines lifelike precision with a playful lightness of brushwork that is typical of traditional Japanese painting on paper.

This work not only brings the beauty and elegance of Japanese flora and fauna into your rooms, but also conveys a relaxed and peaceful atmosphere. The subtle colors and harmonious design ensure that the painting integrates excellently into both classic and modern living environments.

Finished with a jikusaki made of wood, this unique work of art represents a beautiful addition to your collection or a stylish eye-catcher in any home.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.