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Dragon in Light Contours on Dark Silk

Kakemono, unique work, 175 x 61 cm
Product number: 6079

Sold – no longer available

This piece was handmade by Yoshihiko and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 175 cm
  • Width 61 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Edo (1603–1868)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Yoshihiko
Sold

No longer available

Description

In fine contours executed in light color on a dark silk ground, this dragon winds its way through dense bands of clouds, its head with wide-open eyes and long barbels turned toward the viewer. The scaled body is depicted in several sweeping coils, lending the motif a powerful dynamism despite the reduced, almost monochrome coloring. This type of dragon depiction, usually painted in lighter lines on a dark ground, follows a time-honored iconographic formula of Japanese painting.

We date the work, painted on silk, to the late Edo period. The jikusaki is made of bone, which speaks for a carefully executed, high-quality mounting. The border of the kakemono, however, has been badly affected by age and was unprofessionally glued in the past; this condition can be clearly seen in the product photos. The painting itself, by contrast, is well preserved.

Since a proper repair of the border would involve high costs, we recommend presenting the painting framed instead. For collectors of historical dragon motifs and lovers of Edo-period painting, this kakemono remains, despite the affected mounting, an impressive piece with noticeable age patina.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.