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Five Sparrows on a Maple Branch

Kakemono, unique work, with box, 173 x 42 cm
Product number: 5897

Sold – no longer available

This piece was handmade by Kano Sanraku and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 173 cm
  • Width 42 cm
  • Item Type Kakemono
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Kano Sanraku
Sold

No longer available

Description

On slightly yellowed, finely textured paper, a gnarled branch with red maple leaves winds across a mist-shrouded expanse of water, on which several small sparrows have alighted. The visible signs of age and use on the support material lend the motif an authentic patina and underscore the antiquarian character of the piece, while the restrained coloring is entirely focused on the delicate red accents of the leaves.

The hanging scroll bears the signature and seal of the painter Kano Sanraku and was hand-painted in the Shōwa period. It is delivered including the accompanying wooden box, which was customarily used for storage and additionally documents the provenance of the piece. The elaborate mounting with a gold-brocade border stylishly sets off the tranquil pictorial motif.

As an atmospheric autumn motif, this kakemono is especially suited for display in the tokonoma during the cooler season, but its refined, poetic pictorial language also makes it convincing as a year-round collector's piece of Japanese bird-and-landscape painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.