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Fuji over Misty Lake with Fishing Boat

Kakemono, unique work, 195 x 60 cm
Product number: 3491

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 195 cm
  • Width 60 cm
  • Weight 0.1 g
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

This landscape painting, executed in fine ink painting technique, dates from the Shôwa period and depicts a gently rounded mountain peak above a wide, mist-shrouded expanse of water. A small islet with wind-bent pines and a lone fisherman in his boat lend a quiet, poetic accent to the otherwise almost uninhabited scenery.

The mountain – reminiscent of Fuji in its characteristic silhouette – has long been regarded as one of the most important landscape motifs of Japan and stands symbolically for permanence, sublimity, and the veneration of nature. The restrained ink technique, with its fine gradations of gray, lets mountain and water merge into one another, creating a particularly calm, meditative mood.

The motif was painted by hand on silk, and the hanging scroll is fitted with jikusaki made of bone. Signature and red artist's seal at the lower edge of the image mark this kakemono as a unique work. A timeless landscape painting for collectors who appreciate the quiet sublimity of classical Japanese ink painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.