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Heart Sutra in Large Characters on Olive Background

Kakemono, unique work, 200 x 52 cm
Product number: 6029

Sold – no longer available

This piece was handmade by Suizan Meiji and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 52 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Suizan Meiji
Sold

No longer available

Description

Fine, even brushstrokes run line by line across the light paper of this hanging scroll, rendering the complete text of the Heart Sutra (Hannya Shingyo), one of the central teachings of Zen Buddhism. The characters stand close and calm side by side, in a hand that suggests years of practice in calligraphy. At the lower edge of the column of script is the signature along with the red seal of the calligrapher who executed the work, a detail that lends the sheet a personal note.

The work was created in the Shôwa period, an era in which classical sutra calligraphy continued to enjoy great esteem in both Buddhist and private circles. The honshi consists of paper whose subtly shimmering, warm tone lends additional depth to the black ink characters. The jikusaki made of wood blends unobtrusively into the restrained overall picture and underscores the meditative character of the work.

For collectors of Japanese calligraphy and friends of Buddhist art, this hanging scroll is a fitting addition: it can be understood both as a standalone wall piece and as an object of quiet contemplation, and brings a touch of Far Eastern serenity into any room.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.