Skip to main content Skip to search Skip to main navigation

Idyllic Mountain Landscape

Kakemono, unique work, 183 x 60 cm
Product number: 3440

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

You might like these pieces

Details about the sold piece

  • Height 183 cm
  • Width 60 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Dating from the Shôwa period, this finely painted landscape draws the viewer into a mountain world wreathed in mist. A rugged peak rises above a valley with thatched-roof houses, while a gnarled pine watches over the scenery from a rocky outcrop and small birds pass along the horizon.

The composition follows the classical Chinese-Japanese tradition of landscape painting with its characteristic layering of foreground, middle ground, and distant ridges that seem to blur in the haze. It is precisely this expansiveness and stillness that gives such kakemono their particular appeal, traditionally serving as objects of contemplation and as an expression of scholarship and closeness to nature.

The painting is executed by hand on silk and fitted with jikusaki made of bone. In the lower area of the textile border there is a small area of damage, while the painting itself is preserved in very good condition. As a hand-painted unique work, this hanging scroll combines fine painterly detail with the quiet grandeur of Japanese mountain landscapes.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.