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Kingfisher

Kakemono, unique work, 175 x 38 cm
Product number: 6047

Sold – no longer available

This piece was handmade by Kinsen and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 175 cm
  • Width 38 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Kinsen
Sold

No longer available

Description

Perched on a weathered wooden post above still water, this kingfisher sits with lowered head, as if about to watch for prey. Its shimmering green-blue plumage is rendered with fine brushstrokes, while the long, orange beak and delicate red legs provide strong accents of color. In the lower part of the image, blossoming branches and the water of the pond suggest a quiet, self-contained scene of nature.

The painting, executed on silk, bears the signature and seal of the artist Kinsen and was created in the Shôwa period. The jikusaki made of plastic completes the mounting of the hanging scroll. The kingfisher is one of the popular motifs of kacho-ga, the classical painting of birds and flowers, and is traditionally associated in Japan with vigilance and quiet elegance.

The fine powers of observation with which the bird's posture and plumage are rendered make this kakemono an appealing collector's item for lovers of Japanese nature painting. It is suited both as a decorative wall picture and as a starting point for the quiet contemplation of a fleeting moment in nature.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.