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Landscape and Hotei (Set of 3)

Kakemono, unique work, with box, 180 x 43 cm
Product number: 5906

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 180 cm
  • Width 43 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Sold

No longer available

Description

In a three-part hanging scroll set, a mountain landscape rendered in fine ink tones unfolds, at the center of which the cheerful figure of Hotei appears floating – with round belly, wide robe, and the characteristic sack over his shoulder that identifies him as one of the Seven Lucky Gods. The two side scrolls show mist-shrouded mountains, gnarled trees, and hinted-at villages, so that a cohesive, atmospherically dense landscape image emerges.

The set was hand-painted on paper in the Shôwa period and shows the concentration on ink tones and fine washes typical of the Suiboku tradition. The three-part hanging scroll is delivered including the accompanying wooden box, which served for the joint storage of the three panels.

As a lucky charm motif and harmonious landscape ensemble, this set is particularly suited for a generous presentation in the tokonoma, where the three panels together develop their full effect. For collectors of Japanese ink painting, this rare three-part unique work is a special addition.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.