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Landscape with Fuji

Kakemono, unique work, 187 x 58 cm
Product number: 6340

Sold – no longer available

This piece was handmade by Suidō and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 187 cm
  • Width 58 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Suidō
Sold

No longer available

Description

In the foreground, an idyllic mountain scene unfolds with a small waterfall, a bridge, and a traveler walking across the valley with his umbrella. A thatched-roof cottage among trees reinforces the feeling of tranquility and shelter. Above it all, in sublime stillness, rises the snow-capped Fuji, dominating the background majestically and serving as a symbol of permanence and harmony.

The painting, bearing the stamp of Suido, dates from the Showa period and was executed on fine silk. Finished with jikusaki of wood, the scroll shows the perfect balance between the coloristic accents in the foreground and the soft, almost misty transitions of the landscape. The eye is guided from the quiet detail toward the greater whole – a composition that unfolds contemplative depth.

In its combination of nature, architecture, and human presence, the work conveys a poetic mood that carries both traditional aesthetics and quiet sublimity. It is an impressive example of Japanese landscape painting that vividly captures the spirit of Fuji as a cultural and artistic symbol.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.