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Mount Fuji Over Villages and Hills in the Mist

Kakemono, unique work, with box, 185 x 146 cm
Product number: 5425

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 185 cm
  • Width 146 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Edo (1603–1868)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Sold

No longer available

Description

Dating from the Edo period, this kakemono is among the older pieces of its kind: Mount Fuji rises quietly above a hill landscape shrouded in mist, while small villages nestle among the mountains at its foot, together with pines and trees. The delicate coloring, faded with age, lends the scenery a distinctive, quiet poetry.

Painted in fine hand-painting on paper, the work displays the restrained, sepia-toned palette typical of the period, in which centuries of Japanese landscape painting tradition are reflected. Birds cross the mountain slopes as small dark strokes, while the houses at the foot of Fuji are suggested with just a few brushstrokes. This warm patina is an expression of venerable age and makes the piece a true witness to its time.

The mounting in muted golden brown with a floral pattern and wooden rollers rounds off the antique character. The kakemono is delivered in a wooden box (tomobako) signed by the artist – a rare collector's item for lovers of historical Japanese art.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.