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Mountain Landscape with Pagoda and Pines

Kakemono, unique work, 194 x 65 cm
Product number: 3888

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 194 cm
  • Width 65 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
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No longer available

Description

In warm, golden-brown silk tones, a vast mountain landscape unfolds, in which a narrow waterfall forces its way through rugged rocks, while between gnarled pines the tip of a small pagoda's roof peeks out, lending the image a touch of quiet civilization amid wild nature.

The dense, atmospheric layering of rock, water, and treetops creates an almost floating sense of depth and recalls the great tradition of Chinese-inspired mountain painting, which was taken up by numerous literati painters in Japan and developed further over generations. A calligraphic inscription with a red seal completes the composition at the upper edge of the image.

Painted on silk, fitted with wooden roller ends, and dating from the Shôwa period, this hand-painted unique work is an evocative example of classical mountain painting that appeals particularly through its warm coloring and fine brushwork and remains captivating for a long time. Such landscapes were regarded as a symbol of far-sightedness and inner calm and were gladly displayed in refined living spaces.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.