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Mountain Landscape with Pine by the Lake

Kakemono, unique work, 175 x 59 cm
Product number: 3790

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 175 cm
  • Width 59 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Rugged mountain peaks, built up in the finest ink wash, rise from dense fog in the upper part of the image, while a tranquil lake with small wooded islands spreads out below. A striking, wide-spreading pine clings to a rocky outcrop and frames the scenery with its curving branches, deliberately guiding the viewer's gaze into the far depth of the image.

Rendered entirely in monochrome ink technique, this landscape lives solely from the gradation between strong black, medium gray tones, and the bright, unpainted paper ground, which suggests banks of fog. A multi-line inscription in the upper left, accompanied by a red seal, points to a spring day as the occasion or inspiration for the work and situates the scene literarily within the Chinese-influenced tradition of scholar painting.

The painting on paper is mounted within a dark brown silk border with a narrow gold-colored inner edge and was created in the Shôwa period. With its reduced yet highly effective visual language, this landscape, Mountain Landscape with Pine by the Lake, ranks among the classic examples of suiboku painting and is especially suited to lovers of quiet, contemplative subjects.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.