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Mountain Landscape with Waterfall and Pavilion

Kakemono, unique work, 177 x 47 cm
Product number: 3842

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 177 cm
  • Width 47 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

A narrow waterfall plunges between densely wooded rock faces into a tranquil valley, on whose shore a small open pavilion with a seated figure can be found – a typical motif of literati-style landscape painting that invites inner contemplation and quiet observation of nature, gently guiding the viewer's gaze through the image.

Trees, rocks, and flowing water are rendered in fine, predominantly monochrome ink tones, while scattered warm accents lend the image additional depth and gently guide the gaze through the composition. A calligraphic inscription with a red seal accompanies the scenery at the upper edge of the image, rounding off the overall composition harmoniously.

Painted on paper in the Shôwa period and traditionally mounted with wooden roller ends, this hand-painted unique work bears witness to the calm, focused visual language of classical Japanese ink painting and serves as a contemplative eye-catcher for lovers of East Asian art who appreciate a quiet nature scene. Such works were traditionally displayed in alcoves (tokonoma) and changed according to the season.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.