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Mountain Landscape with Weeping Willows by the River

Kakemono, unique work, 170 x 53 cm
Product number: 3592

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 170 cm
  • Width 53 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Gently curving weeping willows hang over a broad river course, while massive mountains, rendered with fine brush lines, rise up in the background. At the foot of the slopes, half-hidden among trees, lies a small farmstead with a shimmering blue roof, reached by a narrow stone bridge – a typical motif of scholar painting that invites quiet contemplation. Small details such as a waterfall in the middle ground and individual trees along the riverbank lend the scene additional depth.

The painting is executed in muted, earthy tones and draws its character from the fineness of the linework, with which branches, foliage, and mountain contours are worked out. This restrained coloring lends the scene an almost meditative depth, characteristic of landscape depictions of the Shôwa period, and allows the viewer's gaze to wander calmly from foreground to horizon.

Painted on paper and framed by a floral-patterned border in blue and brown tones, this kakemono, titled Mountain Landscape with Weeping Willows by the River, shows the Japanese fondness for landscapes in which man and nature meet in quiet harmony. A hanging scroll for all who appreciate a calm, artfully composed river landscape with great attention to detail.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.