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Mountain Temple in Morning Mist

Kakemono, unique work, 187 x 49 cm
Product number: 4413

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 187 cm
  • Width 49 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

Amid rugged, mist-shrouded rock formations rises a multi-story temple pavilion, its curved roofs standing out brightly against the hazy mountains. A small orange-red sun sits low over the scenery, while a gnarled pine branch and a flowering plum tree frame the lower edge of the image. The color palette of muted greens, blues, and ochre tones creates a calm, almost meditative mood.

This landscape depiction was created in the Shôwa period (1926–1989) and was entirely hand-painted on silk, the classic support material for more elaborate kakemono. Motifs featuring temple complexes in mountainous landscapes draw on the long tradition of Chinese-inspired landscape painting that has been cultivated in Japan for centuries and often expresses a longing for retreat and contemplation.

The scroll rods are fitted with bone ends, an indication of the careful workmanship of the piece. As a hand-painted unique work, this hanging scroll combines classical pictorial language with a pleasantly calm, narrative composition and is well suited for lovers of traditional Japanese landscape painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.