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Night Rest at Maple Bridge

Kakemono, unique work, with box, 190 x 86 cm
Product number: 5368

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 190 cm
  • Width 86 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Sold

No longer available

Description

In the finest ink tones, this large-format kakemono unfolds an expansive mountain landscape with rugged rock formations, cascading waterfalls, and a temple emerging between the trees, while small boats can be seen on calm water at the lower edge of the image. The handwritten verses in the upper left refer to a famous Chinese poem about a night rest at a bridge amid maple trees.

This literary reference lends an additional poetic dimension to the already impressive landscape, uniting image and poetry into an atmospheric whole, as is valued in classical East Asian painting. The subtle gradations of light and dark create a convincing sense of spatial depth.

Painted on paper, this hand-painted unique work dates from the Shôwa period. This kakemono in XXL format comes in a wooden box (tomobako) signed by the artist and, owing to its impressive size, makes for a striking eye-catcher in any collection.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.