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Pair of Cranes Before the Red Sun in Ink Tones

Kakemono, unique work, with box, 181 x 59 cm
Product number: 5410

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 181 cm
  • Width 59 cm
  • Item Type Kakemono
  • Jikusaki Sculpture
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Sold

No longer available

Description

Two red-crowned cranes stand close together on a gnarled pine branch, one of them elegantly stretching its neck toward the rising red sun. In Japan these birds have long been regarded as a symbol of fidelity and long life, an association reinforced by the evergreen pine, which carries the same meaning and whose needles are finely rendered reaching into the composition.

The plumage is executed in the finest hand-painting on silk, with carefully placed black feather tips standing out clearly against the pure white of the body, and delicate red accents at the crown of the birds. The warm orange tones of the sun and the dark pine needles create an appealing contrast; the work dates from the Shōwa period.

Mounted on a gold-colored, floral-patterned silk border with plastic rollers, the kakemono comes in a wooden box (tomobako) signed by the artist. A classic auspicious motif, well suited as a gift for weddings or anniversaries and equally convincing as a stand-alone wall hanging.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.