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River Landscape with Sailboats

Kakemono, unique work, 159 x 49 cm
Product number: 3820

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 159 cm
  • Width 49 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
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No longer available

Description

A gentle, almost floating mood pervades this river landscape: between bizarrely towering karst rocks, small sailboats glide through calm water, while the contours of the distant mountains gradually dissolve into haze. Scattered fishermen's huts and wind-bent trees line the banks, lending the scenery a human scale, while further boats in the background hint at the vastness of the river's course.

Green and gray tones dominate the composition, lending the scenery a cool, almost South Chinese atmosphere, such as has long been popular in Japanese kakemono painting as an image of longing for distant, unspoiled river landscapes. A calligraphic inscription with a red seal completes the composition at the upper edge of the picture. The paper painting was made in the Shôwa period and has wooden axis ends.

The fine gradation of rock, water, and boats attests to a practiced hand and a great feel for depth and space. This hand-painted unique work brings a calm, expansive water world into one's own four walls and invites long, absorbed contemplation, fully in keeping with the quiet contemplation that has characterized this genre of painting for centuries.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.