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Rock Formation with Orchids

Kakemono, unique work, 200 x 60 cm
Product number: 3788

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 200 cm
  • Width 60 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

A rugged rock formation, built up in dense layers of ink, extends across the entire height of the image, from whose crevices tufts of slender orchid leaves emerge and curve outward in fine, sweeping lines. At the foot of the rock a tiny boat can be made out, which vividly illustrates the enormous scale of the rock formation in comparison to the human figure.

To the left of the motif a lengthy poem is placed in fine, even calligraphy, adding a poetic dimension to the image, as was customary in literati painting, in which image and written word were regarded as equal forms of artistic expression. Two red seals accompany the inscription. In this tradition, the orchid is regarded as a symbol of quiet virtue and unadulterated character.

The work is executed on paper and mounted with a muted olive-green, finely textured silk border, created in the Shôwa period. This combination of powerful rock depiction, delicate orchids, and accompanying poetry makes this hanging scroll a sophisticated example of learned Chinese-Japanese ink art.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.