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Shoreline Landscape with Teahouse

Kakemono, unique work, 170 x 56 cm
Product number: 3805

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 170 cm
  • Width 56 cm
  • Item Type Kakemono
  • Jikusaki Wood
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

The warm, deeply browned tone of the aged paper lends this shoreline landscape a distinctive, almost tangible patina: beneath a dense canopy of treetops, a small teahouse by the water lies hidden, while further trees and a calm body of water dissolve into fine ink washes in the background. The entire composition appears as if viewed through the veil of many decades.

In the upper left is a short inscription in elegant calligraphy, accompanied by a red seal that attests to the authorship of this evidently older work. The visibly heavily patinated, shimmering gray-blue silk border with its fine craquelure cracks further underscores the venerable age of this hanging scroll, making it a particularly authentic testament to bygone times.

The landscape painting is executed on paper and dates from the Shôwa period. Motifs featuring small teahouses or pavilions by the water belong to the long tradition of Chinese-Japanese literati painting, which takes retreat and contemplation in nature as its theme. Collectors of hanging scrolls with an antique look and dense atmosphere will take particular delight in this piece.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.