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Sitting Falcon in Pine Branch

Kakemono, unique work, 195 x 48 cm
Product number: 3947

Sold – no longer available

This piece was a handmade one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 195 cm
  • Width 48 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Paper
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
Sold

No longer available

Description

With an alert, sharp gaze, a falcon sits on a gnarled pine branch, its plumage finely rendered in the subtlest tones of gray and brown, while its talons close firmly around the wood – a moment of concentrated vigilance, masterfully captured and carefully executed down to the smallest detail.

Depictions of falcons were traditionally among the preferred motifs of the warrior nobility in Japan, as the bird stands for courage, strength, and determination and was also often prized as a status symbol. The brushwork in the plumage is extraordinarily detailed, while the pine in the background is suggested with looser, freer strokes, forming an appealing contrast to the precise depiction of the bird.

Painted on paper in the Shôwa period and fitted with roller ends made of bone, this hand-painted unique work is an impressive example of classical Japanese bird painting, captivating through its lifelike precision and powerful pictorial effect. Such powerful animal depictions were preferably placed in representative rooms.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.