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Sonnenaufgang

Kakemono, unique work, 183 x 36 cm
Product number: 6292

Sold – no longer available

This piece was handmade by Tani Bunchō and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 183 cm
  • Width 36 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Meiji (1868–1912)
  • Technique Hand-Painted
  • Unique Work Yes
Signature / Stamp:
Sold

No longer available

Description

Minimalist yet of impressive depth, this kakemono presents the classic Japanese motif of the rising red solar disk ("Nichishutsu-zu"). The fine, restrained brushstrokes on fine silk underscore the powerful simplicity and meditative stillness of the image. In its deliberately reduced depiction, the sunrise here becomes a symbol of hope, renewal, and the eternal harmony between man and nature.

This exceptional work was created during the Japanese Meiji period and stands entirely within the tradition of literary painting (Bunjinga), which is prized for its poetic and at the same time contemplative character. The gently flowing color transitions and the clear composition create an atmosphere that puts the viewer in a mood of deep serenity.

Rounded off by high-quality jikusaki made of bone, this kakemono possesses not only a subtle elegance but also great art-historical value. It is excellently suited for rooms in which calm and inspiration are valued, and is ideal for lovers of traditional Japanese aesthetics who seek a stylish ambience with timeless expressive power. A precious piece of Japanese art that, in its simplicity, leaves a lasting impression.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.