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Takasago - Jō and Uba in the Evening Glow

Kakemono, unique work, with box, 186 x 54 cm
Product number: 5373

Sold – no longer available

This piece was handmade by Shūkō and was a one-of-a-kind work. It cannot be reordered and will never exist in this form again. The page stays online as part of our archive.

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Details about the sold piece

  • Height 186 cm
  • Width 54 cm
  • Item Type Kakemono
  • Jikusaki Bone
  • Material Honshi Silk
  • Period of Creation Shôwa (1926–1989)
  • Technique Hand-Painted
  • Unique Work Yes
  • Wooden Box Yes
Signature / Stamp:
Shūkō
Sold

No longer available

Description

On a rocky shore beneath a gnarled, wide-spreading pine tree, two figures with snow-white hair meet: Jō and Uba, the legendary couple of the Takasago tale, who have been regarded in Japan for centuries as a symbol of marital fidelity and a long life shared together. Above them a deep red sun rises, two cranes pass across the sky, while a blossoming plum branch heralds the approaching spring – a calm, harmonious scene full of good wishes.

The composition was captured in fine hand-painting on silk, with soft gradients ranging from warm orange in the sky to muted greens and earth tones in the robes of the two figures. The careful line work of the faces and garments attests to the practiced hand of a painter of the Shōwa period, who rendered a classical motif with narrative calm.

Framed by a subtly patterned border and mounted with fittings of bone, the hanging scroll can be displayed in the classical manner in the tokonoma or elsewhere in the home. It is delivered in a purpose-made wooden box (tomobako) that has safely preserved the work for decades – an atmospheric one-of-a-kind piece for lovers of traditional Japanese painting.

Frequently asked

No – as a one-of-a-kind piece it exists in a single example only.
We would be glad to look for one. Get in touch with the details of the object you are looking for and we will see what we can do.
Because the two pieces of information speak about different things: the period designation describes the object – support, colors, condition – while the signature reflects which name appears on the painting. In most cases there is no attempt at deception behind this, but rather Japanese painting training: copying from workshop models was the curriculum for centuries, an utsushi is regarded as a bow to the teacher, workshops signed with the master's name, and artist names were passed down within a school. Such a hanging scroll is therefore not a forgery, but a hand-painted one-of-a-kind that continues the formal language of its school – just not the work of the famous name, and priced accordingly. We explain this in detail in the guide Why does a kakemono often bear the signature of an artist long deceased?.